Kenji Bunch represents his hometown of Portland, Oregon as “one of the leading American composers of his generation, best known for amalgamating traditional American musical forms.” (Oregon ArtsWatch) While conservatory trained at The Juilliard School, Bunch infuses his music with folk and roots influences achieving an authentic and seamless blend of classical and vernacular styles which has inspired a new genre classification. “Call it neo-American: casual on the outside, complex underneath, immediate and accessible to first-time listeners… Bunch’s music is shiningly original.” (The Oregonian) Sly, irresistible grooves pepper his work, revealing a deft ability to integrate hip hop, jazz, bluegrass, and funk idioms. With rich, tonal harmonies and drawn-out, satisfying builds, Bunch’s music has wide emotive appeal that easily lends itself to dance and film. Over sixty American orchestras have performed his music, which “reache(s) into every section of the orchestra to create an intriguing mixture of sonic colors.” (NW Reverb) Recent works include commissions and premieres from the Seattle Symphony, the Oregon Symphony, the Lark Quartet, the Britt Festival, Music From Angel Fire, Chamber Music Northwest, the Eugene Ballet, and the Grant Park Music Festival. His extensive discography includes recordings on Sony/BMG, EMI Classics, Koch, RCA, and Naxos labels among others. Also a outstanding violist, Bunch received both Bachelor and Master of Music degrees in viola and composition from the Juilliard School and was a founding member of the highly acclaimed ensembles Flux Quartet (1996-2002) and Ne(x)tworks (2003-2011). Bunch currently serves as Artistic Director of new music ensemble Fear No Music, and teaches viola, composition, and music theory at Portland State University, Reed College, and for the Portland Youth Philharmonic.